Oh, pane toscano,
Most unassuming of all the breads,
Teach me to be more like you!
You enter a meal without expectations
You come without even thinking to cover your plainness with a little salt
And you present yourself fearlessly and unapologetically,
exactly as you are, for all to see.
You are beguiling in your guilelessness-- without secrets or surprises
And in this too-rapidly-evolving world of constant change,
You stand alone in your unrelenting commitment to simplicity
And the world as it once was.
And because of that raw simplicity and pure candor,
you are a friend to all!
Leftover spicy tomato sauce?
That last bit of truffle?
They are not too strong or too overwhelming for you!
Where other breads seek only to compete or to conquer,
You accept everyone exactly as they are
And you are as complimentary as you are complementary.
You take fragrant oils and fegato
And help them to reach their very best
And it is because of you that we get to perform that essential nightly ritual
of fare una scarpetta.
By bringing all the flavors of a meal together,
Like a dozen voices singing in harmony,
You remind us that life is too short to disagree,
Yet you humbly decline to accept any of the credit
For a meal much-enjoyed.
Oh, Tuscan bread, most constant, un-changing dinnertime companion
Though those who don't understand you will judge you for your plainness
And cry out that you are too basic, too restrained, too boring
I hope that you will scarpetta those haters, right out of your path
Because it is you, you perfect loaf of bread, you
That prove, beyond a doubt,
That at least when it comes to salt,
Sometimes less really is more.
Sunday, July 27, 2014
Monday, May 26, 2014
I'll Take It!
It's standing-room only on this maledetto bus to Siena. Unanticipated, crowded and packed because the
train conductor is at home instead of on a train. The old man next to me is not happy about
this arrangement. Giuseppe is his name
and, upon finding out that I am a Floridian, he tells me that he has visited
Jacksonville, Florida...twice ("Jacksonville...Volkswagon,...Panama
Canal...Hamburg" is what he says in explanation, nodding knowingly as if
this clarifies everything. I'm confused,
but I don't press the issue.). And he will go on to explain to me that this bus
is miserable, this holiday is miserable, this country is miserable...and maybe
he's right.
"You like Italy?" He asks me.
"Ma, certo," I respond.
"Well you can have it, take it, it's yours."
And while I'm glad to have his permission, in some ways, I
already have.
Because a city or a country is a bit like a person. You don't get just the good parts, you get
all of it: flaws and tears and frustration--all of it. Because Italy isn't only spaghetti alla
carbonara and Chianti wine and cannoli and rolling hills and scenic beaches and
a stroll in the piazza in the evening.
It's also 3 days to dry your jeans and no direct trains on holidays and
Silvio Berlusconi and "is this bus
ever actually going to arrive?" and waiting for hours to get your permit
at the immigration office and no direct answers and no certainty about
anything...not ever.
But at some point, you find yourself falling into this
rhythm and you console yourself that you don't really need dry jeans anyway and
you scold your friend for wearing sandals in March and you learn to deal with
the uncertainty as some sort of perpetual, unanticipated adventure-game (or at
least you hope that all these lessons in patience are somehow making you a
better person). And of course you eat
your spaghetti and drink your wine and stroll in the piazza in the evening
whenever possible.
And just like that particularly frustrating person that you
can't help but adore, in spite of how crazy they make you (or perhaps because
of how crazy they make you) you love Italy and you hate it and love to hate it
and, at the end of the day, you hate to love it as much as you do.
And when Giuseppe on the bus says "take
it..." You say to yourself
"Well yes, I think I will...."
Volentieri.
Thursday, April 17, 2014
Why You Need Friends Who Disagree With You
"It is the mark of an educated mind to be able to entertain an idea without accepting it."
-Aristotle
"Everyone thinks of changing the world, but no one thinks of changing himself."
-Leo Tolstoy
I have a friend, someone I have known for many years, with whom I have a few very fundamental disagreements about how the world works, or, at least, how it should work: politically, morally, intellectually. A few times throughout the course of our friendship, she has said things, not on purpose, that stung, things that made my blood boil, things that made me want to scream. One time, I got carried away in anger, lashed out at her and her beliefs and we both ended up sulking, brooding and hurting, over our margaritas and half-priced appetizers at, of all places to be having a serious discussion, the bar at TGI Fridays.
I'm usually an extremely easygoing person and my reaction and inability to cope with the situation at that moment surprised even me. Even though it was not intentional, the words she said had hurt me and I was blinded by an instinctive emotional response and unable to think clearly. Needless to say, it was not one of my prouder moments. I will not delve any further into the details of the discussion because, honestly, it would only be a distraction from what the real conversation here is about.
The point is that we all have opinions about how the world works (or at least, how it should work) and some of these opinions and beliefs, for whatever reason, strike us down to our very core. Maybe we feel that these issues are somehow deeply tied to our own lives or we have watched the struggle of our family and friends against a system that is unfair, unjust, un-right. Maybe we feel that the safety of our family or our job or our values or our very way of life is at stake. And when somebody doesn't agree with us, it offends not only some vague "idea" that we hold, but also the very center of who we are. It is not just our ideals at stake, but ourselves. I don't know what this issue is for you: gun control, gay marriage, the environment, abortion, immigration, healthcare--for whatever reason, these things become so deeply embedded with our individual identities, that they can blind us.
It's okay to be engaged, it's okay to have strong feelings and it's okay to be hurt, but it's wrong to attack someone else for their beliefs. It's equally wrong to diminish that person as a human for their beliefs or to write them off as stupid or hateful or ignorant just because their worldview does not align with yours.
I have heard people nonchalantly say that they judge their future friendship with people they just met based on their political party affiliation on Facebook. I have heard people, on both sides of the aisle, proudly touting their partisan-ism, saying that they don't think they could ever have a serious conversation, let alone be friends, with someone who disagrees with them on this issue or that issue. And I have three words for those people: shame on you. Can we now reduce a nation of people to just one of two categories? "Republican" or "Democrat." "Conservative" or "Liberal." "Right" or "Left." "With Me" or "Against Me," that is, "Right" or "Wrong" depending on your point of view.
An inability to empathize and understand beyond your own narrow worldview (and, compared to the whole realm of human experience, our worldviews are necessarily narrow) is not something to be proud of but rather, in my opinion, a symptom of both moral and intellectual weakness. It may be true that there are some people in the world who are "evil," who are working against the better interests of humanity and using this philosophy or that philosophy to justify their malicious intent. But to automatically consign to that category our friends, family, neighbors, co-workers who disagree with us is nothing but an excuse for our own inability to engage and empathize. Moreover, it is an act of cowardice, yes, cowardice, and nothing less. I'm not sure what about civil discourse has become so intimidating and so unfashionable. Are we scared of our own vulnerability in a world that is much bigger than we are? Are we afraid of growth? Change? Are we afraid that we might have to acknowledge that this issue and, therefore, the world, is not simply as black and white as we imagined? "Gray" is ambiguous and, moreover, terrifying. And it takes an awful lot of courage and strength to stand face-to-face with the uncertainty of the gray area.
If we take a moment to consider the situation, to account for the complexity of the world and the diversity of the American (and the greater human) experience, we wouldn't find it so crazy that someone else, given the same information, could draw a different conclusion. If you are going to demand that someone walk a mile in your shoes, you better be willing to walk a mile, or even two, in theirs.
Which brings me back to the bar and the margaritas and TGI Fridays. After a few very tense and awkward minutes of un-constructive, but much-needed sulking, we started the conversation again with a more conciliatory and re-conciliatory approach. Neither of us had changed our views, but together we changed the tone. We discussed why this conversation was painful and, more importantly, we actually listened to what the other person had to say, not with the aim to refute, but to understand. It was not an easy conversation, but it was a productive one. It was useful not in the sense that either of us managed to change the other person's mind or that someone "won" the debate, but in the sense that we were both able to walk away with a better understanding of the other person's experience.
Civil discussions are like good friendships and relationships in that they should not be treated like a zero-sum game, where there has to be a winner and a loser and nothing in between. Rather, there should be some give-and-take, tempered with understanding in a way that ensures that both people are able to grow, or better yet, flourish.
Will my dear friend and I ever agree on this particular issue? I recognize that neither of us, no matter how many times we have this conversation, is likely to change her mind and I accept that fact. And with that acceptance, I release any pressure "to win" and start to focus on what I can learn. My friend, after all, is an extremely intelligent and compassionate young woman and there is still so much that I can learn from her, that we can learn from each other. Most importantly, when tempers have cooled and margaritas are finished, I realize how deeply I value her insight and friendship in my life.
Ultimately, as individuals, we do not have much control over all these "big questions" that our 21st-century society is in the process of answering and we have even less control over those people who disagree with us. But what we can control absolutely is how we approach people whose views differ from ours and, in particular, the tone of our conversations when we disagree. And these conversations, I humbly believe, could begin to change the world.Will my dear friend and I ever agree on this particular issue? I recognize that neither of us, no matter how many times we have this conversation, is likely to change her mind and I accept that fact. And with that acceptance, I release any pressure "to win" and start to focus on what I can learn. My friend, after all, is an extremely intelligent and compassionate young woman and there is still so much that I can learn from her, that we can learn from each other. Most importantly, when tempers have cooled and margaritas are finished, I realize how deeply I value her insight and friendship in my life.
--
Just a few examples of how life-changing a conversation can be:
1.This article by Shane Windmeyer, an LGBT acitivist, on his un-expected friendship and ongoing dialogue with Dan Cathy, the COO of Chick-fil-A.
2. This true story from the podcast "Snap Judgement" told by Daryl Davis, an African-American pianist who describes an even more un-expected friendship with a KKK leader.
So I challenge each of you (and myself too because I am also far from perfect) in these coming weeks, to embrace discord and disagreement and above all, to listen and understand.
Tuesday, March 25, 2014
Thoughts from the Porch of the Pantheon
I am sitting here in my own little corner of the Pantheon porch, which is a very small corner indeed when you consider how many other corners of similar size this universe contains. And while I am sitting, I am confronting my own smallness. It is not the kind of smallness that is measured in inches and meters, although even standing on the tip of my toes and reaching my hands as far as possible, I may as well reach for the stars as for this ancient roof, for I am small in that sense as well. But even though this space is tall and wide and deep, its perimeter is not the sum of its greatness. Rather, in addition to being very tall and very wide and very deep, it is long, long, long. This kind of length is measured in minutes and millennia and is enough to put me face-to-face with my own minuscule-ity.
Meanwhile,
a little corner of humanity has begun huddling under the porch to take cover
from an approaching rain storm. Although
it seems like a torrent of people from where I'm sitting, I must remind myself that this corner is a
very small corner indeed when I consider how many other corners of similar size
this Earth contains and has contained. It
makes me wonder about all the great men and women who have passed under this
roof. And, even more, I wonder about all the other men and women, who were
perhaps not actually less great but only less memorable to the slippery annals
of our histories. For it is not only the
so-called “greats” that have made us, but equally, or perhaps even more so, those
folks in whom we would recognize ourselves if we were able to look through time the same way we look in mirrors. These
people were left out of writing the stories, but it was, nonetheless, their
lives and loves and triumphs and forgotten struggles that bound the book. Just as individual letters fill and give meaning to a page, their lives filled and gave meaning to the
Earth. Yet, just as we would be hard-pressed to identify the
individual importance of any single, isolated letter, we would be hard-pressed to describe even one of their faces. Even so, they have shaped our world and made, literally made us.
And in all of this conglomeration of humanity over space and time, where does that leave me and my little corner? Where does it leave my companions who have, at least for now, managed to escape the rain? I imagine we will all stick around for a while and leave with brighter skies. After all, this rain will not last forever. These long columns, which have seen their fair share of rain storms, could surely tell us that. Nor will we last forever, these columns could also tell us that.
Thursday, February 20, 2014
Living in Poetry
A very dear friend of mine and I have been having a virtual discussion about poetry. To be honest, I know very little about the subject, but have learned a lot, just through our ongoing dialogue and am looking forward, as always, to reading and learning more in the future.
There's something about a particular passage that she sent me to read that has really got me thinking, not just about poetry, but about how the broader scope of an idea:
"Here’s a tricky issue: the task is to grasp, to connect, to understand. But such a task is to some degree impossible, and most people want clarity. At the end of class, at the end of the day, we want revelation, a glimpse of the skyline through the lifting fog. Aesthetically, this is understandable. Some magic, some satisfaction, some "Ahhh!" is one of the rewards of any reading, and particularly the reading of poetry. But a poem that reveals itself completely in one or two readings will, over time, seem less of a poem than one that constantly reveals subtle recesses and previously unrecognized meanings...The most magical and wonderful poems are ever renewing themselves, which is to say they remain ever mysterious."
(Borrowed from "How to Read a Poem: Embrace Ambiguity")
Travel, to me, is always surrounded with an air of poetry. Everything is new and never before seen, I see all the details of every street that I walk down, because I am constantly trying to better understand the place. Eating a new food or meeting new people inspires the kind of instantaneous, ecstatic reaction that it's impossible to immediately capture in even the loveliest prose. It's more like an impressionist painting or a poem-- a sensation that can not be fully understood in just one moment or one glance, just one reading. I find myself re-living these moments over and over again in my mind.
And it takes me to a passage from Invisible Cities by Italo Calvino, which I'll translate (quite roughly, as there is really no such thing as a clean translation) into English here:
"The more he loses himself in the unknown quarters of faraway cities, the more he understands the other cities that he crossed up until that point and he re-traces the steps of his travels and learns to know the port from which he set sail and the familiar places of his childhood and the surroundings of his home and a little place in Venice where he ran as a child."*
It is only by immersing ourselves into the unknown, that is, into the poetry of life, that we can begin to understand where we came from and how we ended up there. The obvious and the straight-forward do not require that leap-of-faith, that uncertainty, that ambiguity where we find the room to grow.
It's easier to go through life with a closed heart and a closed mind, If we are going to truly lean into our lives, truly "embrace the ambiguity," it takes a lot of courage. After all, ambiguity, by its very nature, makes us uncomfortable. It's much easier and more comfortable to live in an instruction manual than a poem. The next step is always obvious and there is minimal risk involved.
But there is where is the joy? Where is the growth? Where is the beauty in a life like that? Life, like good poetry, should be a challenge.
That's why I'm most grateful for all the places I've never visited and all the people I've never met.
That's what fulfilling friendships and relationships are built on, discovering something new in a person that you knew through and through.
That's how a world I thought I understood manages to confound me anew every day in the most beautiful way.
---
*I'm including those sentences from Le citta' invisibili by Calvino here in the original Italian, so that those of you who can read Italian will be confirmed in your suspicion that Italo Calvino was actually a significantly better writer than I am:
"Marco Polo immaginava di rispondere (o Kublai immaginava sua risposta) che piu' si perdeva in quartieri sconosciuti di citta' lontana, piu' capiva le altre citta' che aveva attraversato fin la', e ripercorreva le tappe dei suoi viaggi e imparava a conoscere il porto da cui era salpato, e i luoghi familiari della sua giovinezza, e i dintorni di casa, e un campiello di Venezia dove si correva da bambino"
There's something about a particular passage that she sent me to read that has really got me thinking, not just about poetry, but about how the broader scope of an idea:
"Here’s a tricky issue: the task is to grasp, to connect, to understand. But such a task is to some degree impossible, and most people want clarity. At the end of class, at the end of the day, we want revelation, a glimpse of the skyline through the lifting fog. Aesthetically, this is understandable. Some magic, some satisfaction, some "Ahhh!" is one of the rewards of any reading, and particularly the reading of poetry. But a poem that reveals itself completely in one or two readings will, over time, seem less of a poem than one that constantly reveals subtle recesses and previously unrecognized meanings...The most magical and wonderful poems are ever renewing themselves, which is to say they remain ever mysterious."
(Borrowed from "How to Read a Poem: Embrace Ambiguity")
Travel, to me, is always surrounded with an air of poetry. Everything is new and never before seen, I see all the details of every street that I walk down, because I am constantly trying to better understand the place. Eating a new food or meeting new people inspires the kind of instantaneous, ecstatic reaction that it's impossible to immediately capture in even the loveliest prose. It's more like an impressionist painting or a poem-- a sensation that can not be fully understood in just one moment or one glance, just one reading. I find myself re-living these moments over and over again in my mind.
And it takes me to a passage from Invisible Cities by Italo Calvino, which I'll translate (quite roughly, as there is really no such thing as a clean translation) into English here:
"The more he loses himself in the unknown quarters of faraway cities, the more he understands the other cities that he crossed up until that point and he re-traces the steps of his travels and learns to know the port from which he set sail and the familiar places of his childhood and the surroundings of his home and a little place in Venice where he ran as a child."*
It is only by immersing ourselves into the unknown, that is, into the poetry of life, that we can begin to understand where we came from and how we ended up there. The obvious and the straight-forward do not require that leap-of-faith, that uncertainty, that ambiguity where we find the room to grow.
It's easier to go through life with a closed heart and a closed mind, If we are going to truly lean into our lives, truly "embrace the ambiguity," it takes a lot of courage. After all, ambiguity, by its very nature, makes us uncomfortable. It's much easier and more comfortable to live in an instruction manual than a poem. The next step is always obvious and there is minimal risk involved.
But there is where is the joy? Where is the growth? Where is the beauty in a life like that? Life, like good poetry, should be a challenge.
That's why I'm most grateful for all the places I've never visited and all the people I've never met.
That's what fulfilling friendships and relationships are built on, discovering something new in a person that you knew through and through.
That's how a world I thought I understood manages to confound me anew every day in the most beautiful way.
---
*I'm including those sentences from Le citta' invisibili by Calvino here in the original Italian, so that those of you who can read Italian will be confirmed in your suspicion that Italo Calvino was actually a significantly better writer than I am:
"Marco Polo immaginava di rispondere (o Kublai immaginava sua risposta) che piu' si perdeva in quartieri sconosciuti di citta' lontana, piu' capiva le altre citta' che aveva attraversato fin la', e ripercorreva le tappe dei suoi viaggi e imparava a conoscere il porto da cui era salpato, e i luoghi familiari della sua giovinezza, e i dintorni di casa, e un campiello di Venezia dove si correva da bambino"
Sunday, November 24, 2013
26.2
I have a couple weird hobbies, things that other people probably wouldn't count as hobbies, but I do. At the top of the list is going out to dinner. Second is people-watching. And, as of today, I'm adding "cheering for people at marathons" to the list. I guess that it could just be "cheering" or "encouraging" or "affirming" in general, but there is something that I love particularly about marathons.
One thing is that, for the most part, the people that run in marathons are not professional athletes. It does take a lot of training and dedication, but I think that most people who run marathons are just normal people who have worked really hard. They have jobs and families and many competing priorities, but they also take their running seriously. I don't think I would ever choose to put in the work it takes to run 26 miles at one time, but I respect the people that do.
And there are about 10,000 people in Florence today that did just that. I volunteered at the marathon for a few hours today and then stayed to watch the first finishers (which, incidentally, was way cool. Florence even had a race for differently-abled people who used hand-bikes! Awesome!) but as I was walking home, I stopped to cheer on some of the runners....and ended up standing there for about an hour, cheering non-stop until I was starting to lose my voice! And it was the best!
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| The podium for athletes who participated on hand-bikes! Too cool! |
Some people might say that the reason I got so much enjoyment out of this is because I'm weird and while there is some truth there, I have to wonder if there is some greater force at work. When I'm watching people run a marathon, I can't help but think that, in some ways, we're all running this race, all the time. Sometimes there is triumph, sometimes there is pain, but at the end of the day, you have to just push through everything and get to the next day, regardless of how much it hurts or how tired you are. Our lives are kind of like a marathon. But we don't wear numbers or get fun sweatshirts or have people standing at the sidelines cheering us on and handing us water.
But maybe we all have a time when we need someone, even a stranger, to tell us bravo!, forza!, dai! Sometimes we just need someone to say I see you, I acknowledge your struggle, but it's okay, you're going to make it.
Looking back, I recognize that I would be lost, save for my own cheering section, helping me through every step and mis-step. And I hope that at least some of you remember hearing my voice during your own races.
Friends, I hope that whatever this week may bring you, you realize that you have at least one fan cheering you on. And I hope you'll make some time and effort to acknowledge someone else's struggle and accomplishments.
Braviiiii! Braaaviiiii!!! Bravissimiiiiiiiii!!!
![]() |
| As far as cheering sections go, I'm obsessed with Florence's sbandieratori, the Renaissance flag guys.... |
![]() |
| The winner of the day: Stikovsky Oleksandr (he's Ukrainian!) And notice the flags in action! |
Friday, October 18, 2013
Finding the Right Words
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| By the way, I wrote this while sitting in an enchanted garden. |
The only analogy I can draw, is to the feeling I have had many times during a recurring dream (I'm sure someone reading this will find some hidden interpretation here) where I am using all my force, exerting every ounce of power I can draw out of my muscles, yet only moving in slow motion, as if running through a pool of water. Because when I'm searching for words, sometimes it feel like I might stop breathing or my heart might stop beating because every last neuron is firing trying to connect whatever abstract idea is in my mind to some particular word. And a lot of times, not matter how hard I try, I feel like I can't find the right word, either because I have never learned it, or else I once learned it and have since forgotten it, or else it doesn't even exist. The biggest problem is that I don't even know which of the three problems I'm up against at any given moment. It's like putting together a puzzle that is missing some of the essential pieces but at the same time, has all these extra pieces that don't actually fit, without any sort of guide to tell you which is which.
At times, experiences and explanations and opinions and understandings exist in your mind in such a specific way, that it's hard to frame them with a language that you are still learning to own. Or maybe you've never practiced putting that particular body of thought into words outside of your own language, or maybe it's hard to express a certain level of complexity, even in your native tongue. But when you're trying to communicate, you can't always pause to have these philosophical discussions with yourself--you have to find a way to get your point across, even if your words feel inadequate. Sometimes this is as simple as choosing a different word, but sometimes it's as complex as turning your thoughts upside-down, moving to the other side of the room, turning your head and squinting a little bit, to frame everything from a new perspective. And that's just one sentence.
In some ways, speaking a new language requires you to do the same thing that an artist does, or an innovative businessman or a diplomat negotiating a treaty. That is, to make one thing out of something else while working in the confines of your own knowledge and understanding, looking from a different perspective and balancing the relative importance of each word. It's truly a creative process.
In some ways, learning Italian has taught me not just how to speak better, but how to live better. I've learned diligence, patience with myself and my own abilities, fearlessness and the ability to stand exposed, weaknesses and imperfections laid bare, as that is the only way to learn. I've learned that I can't always grow as much as I'd like to grow in a single day, but that over the course of a year, those incremental, barely-noticeable changes tend to multiply and even grow exponentially.
And I realize, even when I am leaving a trail of discord everywhere I go, even when I'm faced with a mound of accumulated, unnecessary and abandoned prepositions, even when my nouns are absolutely confused about their true gender and even when my subjects and verbs are left arguing so much because they just don't agree, that tomorrow is a new day to make fresh mistakes and (hopefully!) leave behind some of the old ones.
And I salute Dante and Manzoni and all the others, for the work that they've done to build up and solidify this beautiful language, even as I am doing everything in my power to rip it down, tear it up and try to re-build some semblance of something that is somewhat understandable as a human language. Because I realize that a language is not like a picture hanging in a museum, something meant to be left, lonely and pristine, for centuries without any real human contact, but rather a piece of clay that is at it's very best when it is being changed, molded, rolled around and constantly reshaped.
And on the bad days, when I feel tongue-tied and confused, I remind myself that the most beautiful things in life, after all, are those that can't quite be captured in words.
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| I love these statues from the Bardini Gardens because I feel like they're having a conversation. Or maybe he was like "Hey, girl, hey." and she was like "Nope, not gonna happen." |
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